Michael Scott
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Have you ever had one of those phobias that you can’t rationalize, yet still are deathly afraid of? The ones that haunt your dreams and even embarrass yourself when you actually think about it? Some people have irrational fears about spiders, some about drowning, others about suffocating, but to me, it’s sharks. I know it’s stupid. I know it’s an impossibility for the most part, but whenever I’m in the water (whether it be freshwater, a swimming pool, or at the beach), a single darting shadow flitting underneath me in the water triggers sharp jolting electricity up my spine and my lizard brain start going into full fight or flight mode, requiring my conscious brain to force down the irrationality and continue on. You know where that came from? It came from 7-year-old me watching Jaws on TV when I was supposed to be asleep and getting nightmares from it (thanks also to my older brothers, who also would play clips from the theme song on the cassette player just to mess with me). So some 33 years later, I have to smack myself around and suppress instinctual urges whenever I’m in deep enough water not to see the bottom.
That being said, Jaws is one of THE best shark movies to have ever been created, and widely considered the grandfather to all of these shark attack films we have today, like The Meg, Deep Blue Sea, The Shallows (one of the best shark movies since Jaws), and many more. Spielberg knocked it out of the park some 45 years ago, and it’s been widely hailed as one of his best adventure/horror works ever. I’ve owned the film on VHS, DVD, Blu-ray (twice), and now 4K UHD, and I have to say that they knocked this edition out of the park. It not only comes with a new 4K master, but a 44-page booklet that features images from the film, as well as notes and other little tidbits from Spielberg’s journey. And don’t forget an Atmos track to boot.
I’m sure there were giant event films back in the 1970s, but in 1975 the box offices saw a surge that had never been seen before, and wouldn’t be seen again until Star Wars came out 2 years later. Overnight, Jaws became one of the largest smash hits that had ever been seen, with millions of people going to the theaters again and again as word of mouth got out. It was a juggernaut of a film, and the public went wild with it. Spielberg has seamlessly blended horror and adventure into one film, pushing the boundaries of the PG rating (today it would easily be rated PG-13), and capturing a shark attack in ways that no one had ever seen before.
What makes Jaws such an indelible classic is a mixture of intense storytelling, horror elements, good old-fashioned adventure, and some of the best cinematography the world has ever seen. Much like First Blood, this is not a full-on horror/gore film like the 3 sequels that followed. Instead, it has some intense thriller elements in the first hour, with very VERY minimal gore. Everything is told through the lens of intimating, rather than showing chewed up bodies and blood everywhere (kind of like First Blood, which was a movie about a PTSD suffering soldier trying to integrate into society, before the sequels went balls to the walls with Arnie style action). What truly sells the thing is the cinematography by Bill Butler. He uses camera shots that play and tease the audience with the idea that something is around the corner (such as focusing on the upper torso of a boy rescued from a near shark attack, only to suddenly shift to his legs, leaving the audience to sigh with relief when you realize they’re still intact), only to softly change direction. A technique that ramps up the attention and tension of the viewer, only to let it subside quickly as they exhale with relief. Even the film’s infamous shark attack sequences in the latter “adventure” half of the movie still hold up well today. You can see some of the seams of the prosthetic and mechanical beast if you look directly into its eyes, but the movie never shows too much of the beast, allowing you to see it being fake. Ironically, this little technique was not completely intentional by Spielberg. Back then, creating a fully working mechanical shark was HUGELY expensive, so they were forced to only shoot bits of the creature throughout the film, focusing mainly on the neck and head, which was easier to create.
Rating:
Rated PG By the MPAA, Parental Guidance Recommended
4K Video:


Back in 2012, Steven Spielberg oversaw a restoration of the original film elements to create the 2012 “Universal 100th Anniversary” edition that we’ve had for the last 8 years. The Blu-ray was excellent (if not a little over brightened in my humble opinion), but was considered THE de facto pinnacle of the film’s home video releases at the time. Spielberg himself (considering he was heavily involved with the restoration) has gone on record as saying the Blu-ray looked amazing to his eyes, and I was wondering how much more we could get out of that restoration because the new 45th anniversary 4K UHD disc was struck from the same digital intermediate that the 2012 Blu-ray was.
The 4K UHD disc is absolutely STUNNING in 2160p, and I can’t see it looking any better than it does today. The aforementioned over-brightening of the Blu-ray disc is tamed here, with a slightly darkened image that isn’t as garish in the color or brightness situation. The HDR 10+ is amazing, showing very natural reds for the blood, and the Amity beaches are alive with bathing suits of every shade. The colors are well saturated, but not OVERLY saturated (something I felt the Blu-ray suffered from a tad), and the dimmer look sells the grim look that the film takes during the night time shots (which infamously used day for night imagery. Imagery that isn’t altered or thrown off like Paramount’s butchery of To Catch A Thief from the new master). Fine details are exquisite, whether it be from the sweat and salt spray dripping off Brody’s and Hooper’s faces, or the lifelike look of the infamously problematic mechanical shark. Simply put, this disc is nothing short of a revelation, drastically improving on the already excellent Blu-ray, and making it the best catalog title in 4K I’ve seen in at LEAST A year.
Audio:

Extras:

• The Making of JAWS
• The Shark Is Still Working: The Impact & Legacy of JAWS
• JAWS: The Restoration
• Deleted Scenes and Outtakes
• From the Set
• Theatrical Trailer
Final Score:

You’ll notice that most of this review will be IDENTICAL to the 2020 review of Jaw’s 45th anniversary edition, and for good reason. The set features identical 4K UHD and Blu-ray discs for the feature film, down to even the same silk screening. The only difference between the 45th and the 50th sets are that the 45th came with a heavy chipboard box and the color photo booklet, while the 50th sets forego that box and booklet, and include a steelbook case as an option, as well as the new documentary, The Jaws Phenomenon, on a 3rd disc. That’s literally it. We gave up the nifty packaging of the 45th and the physical swag for a steelbook and a new documentary. While I’m a tad disappointed, it’s not the end of the world. It’s just that we were hoping for a bit more of a difference between the sets (hey, even a remastered Blu-ray would have been a great addition). But overall, both sets are still incredibly well done and worth grabbing. Personally, I would simply grab whichever 4K edition is cheaper, or else fits your packaging needs, due to the fact that they’re nearly identical sets otherwise.
Technical Specifications:
Starring: Roy Schieder, Richard Dreyfuss, Robert Shaw, Lorraine Gary, Murray Hamilton, Carl Gottlieb
Directed by: Steven Spielberg
Written by: Peter Benchley, Carl Gottlieb
Aspect Ratio: 2.39:1 HEVC
Audio: English: Dolby Atmos (Dolby TrueHD 7.1 Core), English DTS 2.0 Mono, Spanish DTS 5.1, French DTS-HD HR 7.1
Subtitles: English SDH, French, Spanish
Studio: Universal
Rated: PG
Runtime: 124 Minutes
Blu-ray Release Date: June 17th, 2025
Recommendation: Great Watch