Moderator / Reviewer
- Apr 4, 2017
My AV System
- Preamp, Processor or Receiver
- Yamaha TRS-7850 Atmos Receiver
- Other Amp
- Peavy IPR 3000 for subs
- Universal / Blu-ray / CD Player
- Sony ubx800 4K UHD Player
- Front Speakers
- Cheap Thrills Mains
- Center Channel Speaker
- Cheap Thrills Center
- Surround Speakers
- Volt 10 Surrounds
- Surround Back Speakers
- Volt 10 Rear Surrounds
- Rear Height Speakers
- Volt 6 Overheads
- 2x Marty subs (full size with SI 18's)
- Video Display Device
- Sony 85 inch X950H FALD TV
Whale Rider was director Niki Caro’s second film (The Zookeeper’s Wife), and it is EASILY her best film to date. It was a critic’s darling during the Toronto Film Festival in 2002, and still remains as one of the best films of the turn of the century. There are very few films detailing the lives of the Polynesian Maori tribesman (I did a review of Deadlands a few years back), and Whale Rider remains one of the most accessible art films out there on the subject, bypassing many other family films of the same generation and still being able to be viewed by the common man without a degree in art history. I try not to be overly gushy and overly apologetic for films that bypass the mainstream media, but Whale Rider is a truly exceptional film about Maori culture in a way that impacts you on a spiritual, sentimental, and realistic way.
Based upon the novel of the same name by Witi Ihimaera (written in 1987), Whale Rider chronicles the journey of a young Maori girl living in her native New Zealand and carrying the same name as the mythical Paikea of Maori mythology. Paikea supposedly fell off the back of a whale upon traveling to the New Zealand island thousands of years ago, and landed where New Zealand is today. After that the Maori people have had a long line of male leaders, and now the remaining descendants are living in disarray. What was once a proud Polynesian tribe of warriors like the Samoans and the Hawaiians, is now a domesticated group of people living in a modern society that seems to not care about their culture. This story follows a young girl named Paikea as well (Oscar nominated performance by Keisha Castle-Hughes) who, even though not born a boy, is one of the last descendants of that ancient bloodline.
Pai’s own grandfather Koro (Rawiri Paratene), the village chief, refuses to see her as the next in line after her father Porourangi (Cliff Curtis) abdicates his responsibility, and makes it his duty to find the next chieftain in their stumbling people. Despite being loved by her adoring grandmother (Vicky Haughton), Pai still struggles to live up to the expectations of her lineage, and the constant derision from her grandfather Koro. No matter his derision, no matter his refusal to see Pai’s love and devotion to her people, the young girl lives outside of all expectations. Grasping onto the tenants of her culture and her people, young Pai is one thing. An inspiration to all and the future for her people.
In all reality, Whale Rider is no less special than Moana or any other tale of coming into ones own from a mythical background than any other blockbuster film. The movie is intensely moving, and has a sense of peace and tranquility that is hard to replicate. Keisha Castle-Hughes gives an incredibly moving and intense performance as Pai, and the beautiful array of Maori actors chosen for the film gives it an authentic and incredibly visceral vibe. I very rarely recommend indie films are great watches due to the lack of finesse and accessibility by the general populace, but Whale Rider manages to grasp all aspects of the task with finesse and easey.
Rated PG-13 for brief language and a momentary drug reference
• "Te Waka: Building The Canoe" Featurette
• "Behind-The-Scenes of Whale Rider" featurette
• Deleted Scenes with optional commentary
• Poster art and photo gallery
I don’t honestly recommend Indie flicks wholeheartedly due to the fact that most of them are not easily accessible to the common viewer. However, Whale Rider is one of the very few that I can unabashedly recommend to most people without a second thought. It’s got a PG-13 rating, but is very family friendly (the PG-13 rating is really overkill in my opinion), and is a sustainably entertaining flick from beginning to end. The movie is LOOOOOOOONG overdue for a North American Blu-ray release and I’m extremely grateful that Shout Factory was able to get the rights in order to get this wonderful film out to fans. The Blu-ray looks and sounds great, and the special features are pretty solid, if I do say so myself. It’s a great release, and a disc that I’ve been waiting for for quite some time. HEARTILY recommend to check out to all interested.
Starring: Keisha Castle-Hughes, Rawiri Paratene, Vicky Haughton
Directed by: Niki Caro
Written by: Niki Caro (Screenplay) Witi Ihimaera (Book)
Aspect Ratio: 2.35.1 AVC
Audio: English DTS-HD MA 5.1, English DTS-HD MA 2.0
Studio: Shout Factory
Runtime: 101 Minutes
Blu-ray Release Date: August 22nd, 2017
Recommendation: Great Watch