Michael Scott
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My mother once told me that Alzheimer’s doesn’t just steal life from the one who has it, but it also drains it from those around the afflicted as well. It’s a strange thing mental illness is. When the body has a problem it recognizes it, sends sensations of pain to the brain so that we can take care of, and heal, said problem. When our tooth aches, we go to the dentist and take care of the problem. When our body trembles and we throw up we go and get something for the flu. However, when the mind gets ill its as if the entire world is the problem, while we stay “sane” at the center of it all. The person afflicted doesn’t know that they’re ill many times, which is one of the reasons those who have to take enormous amounts of pills suddenly think they’re “better” when they get off of them. The rest of the world sees them spiraling out of control, but from the point of view of the afflicted it’s everyone else around them that has a problem.
Thus is the case with the film that garnered Anthony Hopkins his Academy award this, narrowly beating out Chadwick Boseman posthumously. Anthony (Anthony Hopkins) is a rambunctious 80 year old who is having conflicts with his daughter Anne (Olivia Colman) about her moving away to Paris and he basically getting on the nerves of all the caretakers who are there to take care of the aging man. He doesn’t really think that he needs to go into a home as his daughter is staying with him in his flat in London, but she has different ideas. He’d really rather see his other daughter Lucy, but Anne will have to do even though she’s not his favorite daughter. Anthony knows exactly who he is, and his walls are lined with books and music and paintings from his children to back up the assertion that he has lived a full and fruitful life.
However, Anthony is getting more and more confused. Conversations make no sense the next day. Strange people show up in his flat for no reason and give conflicting reports of who they are. As time passes the world becomes more and more of a crazy place, as people lie to him, refuse to believe that he knows what he’s talking about, and even worse, aren’t who they say they are from one moment to the next.
It’s a devestatingly heartbreaking film, and one that doesn’t exactly go with a traditional storytelling motif. The beginning and the end are really the only moments of “truth” that the audience can be sure of, with the rest of the movie being told from the point of view of the unreliable narrator. However, that is inconsequential as we all know by the end of the film that what we were seeing was truths, half truths, and complete fantasies from a man who is losing his grasp on reality, and us experiencing the confusion and chaos that he experiences every day is the real point of the film.
I almost wondered how the Academy awards could give Anthony Hopkins the award for best Actor, especially due to the great public buzz around Chadwick’s death. That is until I watched The Father and saw one of the most incredible performances I had ever seen, rivaling anything Hopkins has done during his prime (which is shocking, considering that Anthony Hopkins was relegating himself to B and C grade movies over the course of the last decade). He’s absolutely flawless as Anthony, showing all of the characters manic highs, depressing lows, and agonizing sense of confusion. The role single handedly keeps you glued to the screen, just aching to see his character roil and twist in his own mental prison. Olivia Colman is a short step behind him, giving multiple various performances depending on what condition Anthony’s character is in at the time. Simply put, this had some of the best performances I had seen in years and Anthony Hopkins blew me away.
Rating:
Rated PG-13 for some strong language, and thematic material
Video:

Audio:

Extras:

• Homecoming: Making The Father
• Perception Check: Portrait of The Father
Final Score:

The Father is not a movie that you go into thinking you’re in for a fun jaunt. The movie is riveting, but also depressingly heartbreaking and almost oppressive to watch due to the subject matter. But let that not deter you as it gives us one of the best performances of the decade and truly shows just how utterly crushing and grueling a mental illness like Alzheimer’s can be for all involved. The Blu-ray is very impressive, with great video, good audio, but only a modicum of minimal extras to enjoy. Definitely recommended.
Technical Specifications:
Starring: Anthony Hopkins, Rufus Sewell, Olivia Colman, Mark Gatiss, Olivia Williams, Imogen Poots, Ayesha Dharker
Directed by: Florian Zeller
Written by: Christopher Hampton, Florian Zeller
Aspect Ratio: 2.39:1 AVC
Audio: English: DTS-HD MA 5.1
Subtitles: English, English SDH
Studio: Sony
Rated: PG-13
Runtime: 97 minutes
Blu-Ray Release Date: May 18th, 2021
Recommendation: Highly Recommended
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