Michael Scott
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Polar Rescue
Movie:
Video:
Audio:
Extras:
Final Score:
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Movie:

Video:

Audio:

Extras:

Final Score:

AV NIRVANA is member and reader-supported. When you purchase an item using our links, we might earn an affiliate commission.
Growing up in a family of athletes and martial artists, Kung Fu stars like Donnie Yen, Jackie Chan and Jet Li were all apart of my formative years. The man was a Hong Kong legend, gaining nearly as much market share in the U.S. as Jackie Chan and Bruce Lee, but still staying true to his Hong Kong roots by pumping out a literal metric ton of action and drama films over the last 40 years. However, the last 15 years or so Yen has been pumping out “content” rather than amazing films. I remember the day when seeing Donnie Yen’s name on the front cover of a film meant you HAD to check it out. Films like Sha Po Lang, or Ip Man or even his American films like Rogue One or xXx: Return of Xander Cage put butts in theaters. Now, it’s a worrisome venture wondering if you’re going to waste your time, or whether he’s used as the token martial arts veteran like he was in John Wick 4.
I’m going to go a bit off base here, but after watching the man’s career for over 30 years, his “downfall” came about the same time that Mainland China took back Hong Kong under it’s legal wing, and basically turned everything that the small independent Asian city state did and homogenized it into Mainland Chinese propaganda. Even though it was basically Chinese productions, Hong Kong stood apart from Mainland Chinese films in that they were always very creative, very adaptive, and never fell in line with the jingoistic “state friendly” Mainland films. Once Hong Kong was reabsorbed into the Peoples Republic of China that creativity went away, and with it, all of the directors and (freedom) that Hong Kong was once known for. The end result, films like Polar Rescue (originally titled Come Back to Me back in 2022) which feel like an overly safe, overly dramatized, and overly sanitized production that is about as cardboard flat as you can get.
Polar Express is unfortunately what I call the very example of a two dimensional film. The story goes on for far too long with too little actual emotional attachment, despite the film pushing a heavy handed and syrupy emotional pull. But sadly instead of actual human emotion, everything feels like an over the top broadway production, with long monologues of pushing on, fake tears streaming down peoples face, and an overly complex back story to why they got to where they are. And to put it bluntly, it feels scrubbed and sanitized to the very max, as if it was doused in acting bleach to make nothing hit home, even though the director and writer are absolutely trying their best to tug at their heart strings.
Rating:
Not Rated by the MPAA
Video:

Audio:

Extras:

• Well Go USA Previews
Final Score: 

Polar Rescue is a bit of a bland drama with what I call “late stage Donnie Yen”. The 60 year old actor looks fantastic (and nowhere near 60), but his last few years of films have all been family films and period piece dramas that have nowhere near the heart and soul of his 80s, 90s and early 2000s works. I’m not sure whether he’s just looking to keep working, or whether he’s got contractual obligations, but the end result is that most of his recent works have been frustratingly sub par, with Polar Rescue being no exception. The Blu-ray looks and sounds rather good, but the limited extras and rather “meh” plot leaves me recommending this as a rental at best.
Technical Specifications:
Starring: Donnie Yen, Cecilia Han, Bing Jia, Xu Tang
Directed by: Chi-Leung Law
Written by: Chi-Leung Law
Aspect Ratio: 2.39:1 AVC
Audio: Mandarin: DTS-HD MA 5.1, Mandarin DD 2.0
Subtitles: English
Studio: Well Go USA
Rated: NR
Runtime: 102 minutes
Blu-Ray Release Date: March 26th, 2024
Recommendation: Meh
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