Onkyo Reflects on Eight Decades – Reveals New Products and Future Directions at CES

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(January 6, 2026) As CES 2026 gets underway, Onkyo arrives at the cavernous Vegas Convention Center carrying more than a slate of new products. This year marks the company’s 80th anniversary, a milestone that traces back to 1946 and founder Takeshi Godai, who set out to elevate Japanese craftsmanship through sound. Eight decades later, Onkyo is using CES as a platform to celebrate its past and outline where the brand sees itself heading next.

Godai’s original philosophy centered on precision and emotional connection, an idea later reflected in the company’s name, which translates to sound harmony. Over time, that thinking helped establish Onkyo as a notable player in home audio and home theater, with its recent AV receiver presence anchoring the company's modern image. While receivers remain central to the brand, the anniversary narrative makes it clear that Onkyo no longer wants to be defined by a single product type.

The modern chapter of Onkyo has been shaped by consolidation and focus. In 2021, the company’s home audio and video business was acquired by Voxx International and positioned within a subsidiary named Premium Audio Company (PAC), bringing Onkyo and Integra under one roof alongside other well-known audio brands. For several years, that structure included licensed Pioneer and Pioneer Elite AV products, though PAC terminated those license agreements in 2025. That move has allowed PAC to focus on Onkyo and Integra as the center of its home theater strategy, but also acknowledges current realities in the AV market, where traditional receivers face pressure from soundbars, personal audio, and streaming-centric listening habits, especially among younger buyers.

Against that backdrop, Onkyo’s 80th anniversary becomes less about looking back and more about clarifying identity.

Onkyo Doubles Down on Desktop Speakers
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One of the clearest examples of that approach is the Creator Series speaker lineup. While the limited-edition anniversary models may appear to signal a return to speakers, Onkyo never fully left the category. At CES 2025, the company introduced its Creator Series powered speakers, including the GX-10DB and GX-30ARC, both sold as paired sets where one speaker handles amplification, Bluetooth, and physical inputs before sending a signal to a second speaker via an interconnect cable.

Those models were designed for modern, flexible use cases: PC audio systems, PC or console gaming speakers, compact alternatives to soundbars for TV audio, office or bedroom systems, and even nearfield monitors for home recording environments, relying on efficient Class D amplification paired with onboard DSP to manage power and crossover duties. Both include a subwoofer output for users who want to extend low-frequency performance for a bit more heft in the bass regions.

That context matters when looking at the limited-edition 80th Anniversary Creator Series GX-30 and GX-10 concepts debuting at CES 2026. These speakers build on an existing platform rather than rebooting a category. Visually, they lean into heritage, drawing inspiration from classic Onkyo designs such as the D-200. PVC walnut cabinetry and silver trim rings give them a furniture-like presence, while textured black baffles and all-black stands introduce a more contemporary, studio-leaning edge. Functionally, they’re designed to slot naturally into desktop setups, compact TV rigs, and turntable-based systems, where sound quality and aesthetics carry equal weight.

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Alongside those powered speakers, Onkyo is also previewing Creator Series tabletop speaker concepts. These all-in-one designs emphasize room-filling clarity from a compact footprint, pairing sculpted cabinetry with a modern illuminated aesthetic. A central physical volume knob anchors the design, offering tactile control in contrast to app-driven interfaces. Still firmly in concept form, these tabletop speakers hint at a new category for the brand rather than a simple extension of existing products.

Onkyo expects the limited-edition 80th Anniversary Creator Series GX-30 and GX-10 concepts to debut in summer 2026, reinforcing their role as celebratory, design-forward expressions rather than mass-market staples.


Onkyo's New All-In-One Streaming Platform, Muse
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From compact speakers, the anniversary story shifts to a strictly modern piece of hardware called Muse, which is positioned to enter the market with three different models. First, we have a limited 80th Anniversary version that harkens back to the heritage that helped establish Onkyo's reputation in two-channel Hi-Fi. Inspired by the iconic M-588 stereo power amplifier, this Muse Series concept pairs a mid-century silhouette with contemporary streaming capability. A champagne-gold aluminum chassis and real-wood walnut veneer side panels give the component a presence that feels both archival and modern.

Positioned as a collector-grade flagship rather than a volume product, the anniversary Muse is planned for a summer 2026 release. Alongside it, Onkyo is bringing two full-production versions to market, led by the Y-50 and rounded out by the Y-40. These compact, all-in-one two-channel components are built around full digital circuits and Axign Class D amplification with high-current MOSFET outputs. The Y-50 delivers 250 watts per channel into 4 ohms, while the Y-40 offers 150 watts per channel into 4 ohms, giving both models the ability to drive a wide range of speakers despite their modest size.

A 5.46" color LCD display sits front and center on each model, presenting track information, metadata, and an analog-style VU meter that bridges classic Hi-Fi with modern design. Connectivity spans Ethernet and Wi-Fi networking, Spotify Connect, TIDAL Connect, Qobuz Connect, Chromecast, and AirPlay 2, along with multiple analog and digital inputs, HDMI ARC for TV and gaming audio, a built-in phono stage, and subwoofer output.

The Muse Y-50 is priced at $1,499, the Y-40 at $999, with availability scheduled for May 2026.

Peering Into the Future
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Looking further ahead, Onkyo is also using CES 2026 to drop breadcrumbs about its longer-term home theater ambitions. The company is teasing next-generation concepts for TX and RZ Series AV processors, amplifiers, and all-in-one receivers. The proposed architecture points to large channel layouts (up to 15-channel processing with 11 channels of onboard amplification), servicing immersive and multi-room systems.

Just as notable as the specification hint is a look at the design direction. Based on the single concept image shown, these future AVRs might move away from the traditional receiver aesthetic and toward a cleaner, more architectural look that recalls form factors established by high-end processor brands like Trinnov Audio and StormAudio. That resemblance may be intentional, or it may simply reflect where high-performance home theater design is converging. Nevertheless, Onkyo appears to be exploring how its top-tier products can visually match their performance aspirations.

From a technology standpoint, these concepts incorporate advanced features like Dirac ART, Auracast, and continued support for Dirac Live room correction. And with hints at THX Dominus certification, we're likely to see THX's stamp of approval included on future releases. Onkyo positions these as forward-looking designs rather than imminent releases, with expectations pointing toward a 2027 arrival.

If you're in Vegas for CES 2026, you can find Visit Onkyo at the Las Vegas Convention Center, Central Hall — Booth #17204


The following are additional images provided by Premium Audio Company's team at CES:
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Interesting that the new Marantz AV 30 is also pay to play for Dirac Live. It only ships with Audyssey... which, would be nice to see as a second option on Onkyo products.
Yeah Audyssey disappeared from O/I when D&M signed an exclusive licensing deal....

It resulted in all the D&M models getting Audyssey at a bargain price for the last decade (and probably the next decade!) - but it also meant there was no incentive for Audyssey to do any further R&D.... the product became an orphan effectively. - All the development after that has been in user interface applications to leverage Audyssey, but nothing to the bast tech.

I doubt that the D&M exclusive licensing would allow for a third party manufacturer to license it for their platforms.

Audyssey functionality in any case, aligns very closely with Dirac Live RC... there's no real reason to have both. And with Dirac you have the option to then upgrade to BC and ART... for which Audyssey has no equivalent.
 
About five years ago, I was approached by Audyssey to be included in next gen Onkyo and Integra products, but the antiquated CPU we had been stuck with for decades couldn't handle the extra load, and Onkyo Japan didn't want to divert "resources" to work on it. Presumably the new CPU is up to the task, but I'd expect Onkyo wouldn't want to pay the extra royalty.
Really !?! - Wouldn't that go against their exclusive licensing deal with D&M?
(or perhaps has that reached a 10 year sunset clause?)
 
AccuEQ is a truncated version of MCACC, and has been baked into the old, shared architecture since 2016. Honestly no idea how much computational and memory power that requires, compared to, say, Dirac Live, which itself is simply a portal to Cloud based processing.
One does wonder, with Pioneer having taken their bat and ball, and walked away from PAC, where does that leave MCACC/AccuEQ licencing?

MCACC was well regarded, especially in its more advanced versions (which I believe never made it across to PAC products?) - but ultimately another competitor to Audyssey and Dirac Live RC (the base Dirac EQ product)
 
Really !?! - Wouldn't that go against their exclusive licensing deal with D&M?
(or perhaps has that reached a 10 year sunset clause?)
I really don't know. At that time we were the first and only manufacturer including Dirac Live Full Bandwidth "free" in our AVRs. That, in addition to being the first to implement the latest iteration of HMDI flawlessly (an absurd story in and of itself), Advanced Web Setup with cable and display test generators, really struck fear into the hearts at D&M (a direct quote from an inside source there), so they immediately began investigating Dirac in their own products. It's entirely possible Audyssey either felt under extreme pressure from D&M to significantly up their game, or were outright faced with being dropped.

Anyway, we talked, but very quickly we determined it wasn't in the cards.
 
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