Michael Scott
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There’s very few times that I’ll actually sit down and watch a film multiple viewings before giving my opinion on a movie in review form, but On-Gaku: Our Sound is one of those films. After sitting down and viewing it a total of 2.5 times (3rd time was shifting to several scenes to re absorb them) I have to say that On-Gaku is one of the most surprising films of the last year for me. Not that it’s so utterly beyond perfection that I can’t give it criticism, but that it was a film that I completely thought was going to be a looney bin quirk fest, and it turned out to be one of the most natural and empathetic stories about music affecting someone’s life that I had seen. It manages to be different than other animated films coming out of Japan in both art styles and story, but manages to not be so oddball that it’s off putting. Some of the most fun and exciting anime movies coming out of Japan tend to be rather over the top in terms of being SUPER quirky, but On-Gaku is very impressively tight and managed in it’s tale.
On-Gaku was a labor of love for Kenji Iwaisawa, as the film not only took 7 years to complete (it was a massive undertaking and one that wasn’t always met with positive responses by studio heads in Japan) and was completely animated by hand. The characters were all rotoscoped and then transferred by hand drawn animation to the screen, and the end result is a film that is a loving creation of labor, sweat and tears as it tells a slice of life story about adolescent burgeoning into adulthood.
Kenji (Shintaro Sakamoto) is a tough guy at his high school, being the silent but deadly type who has a reputation for putting the beat down on other schools. He and his two friends Ota (Tomoya Maena) and Asakura (Tateto Serizawa) hang out and play video games in their off time, as well as keep the uppity snobs at Marutake high down with a few good beatings. All the while shrugging off a fight from a local gang member who wants to take Kenji down. A street robbery accidentally puts a stolen bass guitar in Kenji’s hands, peaking the curiosity in the young man about what he could do with it. Instructing Ota and Asakura to steal another guitar and a drum set, the trio mess around and try to form a band between the three of them.
The story is not a major swinging 3 act story arc, but it is never meant to be either. It’s slow, but steady (and short, as the film is only an hour and 11 minutes long) journey that just allows the audience to view the transformation and outpouring of creativity from three VERY unlikely suspects. The film isn’t overly humorous, but it pulls some very dry humor from t he most oddball of situations. It’s not overly dramatic either, but instead just allows us to watch as a side bar the evolution of Kenji (and his friends to a certain degree) as the power of music stirs something within them. Kenji is one of those guys who has is reputation to protect. He’s a skinhead type character with a peach fuzz mustache and a reputation of someone who is NOT to be messed with. However the bass guitar that gets LITERALLY thrust into his hands allows for a form of internalized artistic expression to come forth, and forever changes him, as well as his reputation.
Rating:
Not Rated by the MPAA
Video:

Audio:

Extras:

• Our Movie: Behind the Scenes
• Live Musical Performance
• On-Gaku (Demo)
• Rock Festival Pencil Test
• Short Films by Kenji Iwaisawa
-- Mountain
-- Mourning Ice Pop
-- Nicky
-- Taro Wanted to be Water
• Storyboards Gallery
• Trailers
Final Score:

On-Gaku comes in short vignettes, each one allowing us a window into the life and experiences of the three boys. It’s never so dramatic that you’re crying or angry, but the story allows enough of Kenji’s journey to put a warm smile on your face and a sense of actual accomplishment for him as his primitive outpouring of “music” changes him from the inside out. One of the most fascinating films of the year, On-Gaku simply surprised me as I wasn’t expecting much, and ended up with a LOT to enjoy. The Blu-ray from Shout Factory is incredible, with great video, audio and a TOOOOON of extras to dig through. Very highly recommended.
Technical Specifications:
Starring: Shintaro Sakamoto, Ren Komia, Tomoya Maeno, Tateto Serizawa, Kami Hiraiwa
Directed by: Kenji Iwaisawa
Written by: Kenji Iwaisawa (Screenplay), Hiroyuki Ohashi (Comics)
Aspect Ratio: 1.78:1 AVC
Audio: Japanese: DTS-HD MA 5.1
Subtitles: English, Spanish
Studio: Lionsgate
Rated: NR
Runtime: 71 Minutes
Blu-ray Release Date: March 9th 2021
Recommendation: Great Watch
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