Michael Scott
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My Name is Myeisha joins the long line of films that have been coming out the last few years regarding race and police violence. However, the 2019 release kind of stands out as being different than the rest of the pack as it is not only an adaptation of a stage play, but a stage play that was really a dramatic dance performance as it’s main narrative. Director/co-writer Gus Krieger blends in elements of a traditional narrative, but still keeps the general structure of the interpretive dance foundation of the stage play, making for a bizarrely interesting watch. Not everything works together in harmony for the film though, as the dance and the interpretive art takes over instead of fueling a narrative of loss and pain, only sometimes getting it’s message across, and other times beating you over the head with it.
The main premise of the film revolves around a girl named Myeisha (Rhaechyl Walker) who gets gunned down by the police. Instead of creating a story about the consequences of this action, Krieger instead shoots backwards in time, using a series of performance art song and dance sequences to tell the tale of Myeisha and her life before she was brutally gunned down.
The movie really thrives on those few moments of intimacy with Myeisha and her struggles, but those moments are sadly over shadowed by a quick move to another scene, and the whole artfulness tone of the production doesn’t really leave much in the way of proper storytelling. If this was a stage production being filmed (ala Oklahoma with Hugh Jackman) then some of these flaws could have been overlooked as they’re indicative of the medium, but Krieger instead tried to make a movie out of stage scenes, and the two clashing styles are frustrating to watch on screen.
Rating:
Not Rated by the MPAA
Video:

Audio:

Extras:

• Cast and Crew Interviews
• Behind the Scenes Photos
• Teaser Trailer
Final Score:

My Name is Myeisha is something that I feel was best on the stage. This type of dramatic art production already has a hard road ahead of it as it is not your typical 3 act film, and Krieger’s direction of Hinds work is a bit choppy. He tries too much to keep it like the original source material, and this does the film no favor, as it distances the audience from what’s happening on screen. There’s some misdirection and tricks to keep the audience interested in what’s going on, but those not so subtle misdirection’s do more to alienate the viewer even more. The production is at its best when it’s most intimate, creating an emotional anchor that draws you back into the story, but sadly I felt they were nowhere near as effective as they should be due to the helter skelter nature of the art project. Shout Factory did a great job with the disc though, giving it some solid extras, great video, and very nice audio. Still, this is not something I would generally recommend to everyone, but it’s really something that is more niche and worth checking out if you’re into stage plays and dramatic art performances rather than your typical film.
Technical Specifications:
Starring: Rhaechyl Walker, John Merchant, Dominique Toney, Dee Dee Stephens, Rickerby Alexander Brown-Hinds, Warren Burke, Gregg Daniel
Directed by: Gus Krieger
Written by: Rickerby Hinds, Gus Krieger
Aspect Ratio: 2.39:1 AVC
Audio: English: DTS-HD MA 5.1, English DTS-HD MA 2.0
Subtitles: English SDH,
Studio: Shout Factory
Rated: NR
Runtime: 84 minutes
Blu-ray Release Date: January 28th, 2020
Recommendation: Niche Watch