Michael Scott
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As much as I adore Van Damme, it’s not exactly shocking news to most people that his career was fading from the limelight around 97 and 98. The man went from pumping out hit after hit after hit, to make some questionable choices that had the box office turning against it. As goofy fun as it was, ’96’s Double Team with Dennis Rodman bombed its theatrical release, Maximum Risk (as good as it was) sadly didn’t do as well as expected, and his remake of Bloodsport in the form of The Quest was also a dud. But in 98 he had a chance to work with Hong Kong legend Tsui Hark in an attempt to light the box offices up again….and….well, yeah, Knock Off is a bizarre film that feels both American and Chinese simultaneously, while ostracizing both markets. Don’t get me wrong, I have a soft spot for Knock Off, as it is about as close as we ever got to Van Damme doing a Hong Kong film, but it is certainly one that has its share of problems. Despite being written by the man who had a hand in writing 48 Hours, Die Hard, and The Running Man.
Van Damme plays knock-off fashion entrepreneur Marcus Ray, who works in the Hong Kong district hobnobbing with the fashion elite by day, and making his real money by proliferating knock-off designer products to the rest of the world. He and his partner Tommy Hendricks (Rob Schneider) is going to make him a legit businessman. But the thing is, Tommy is working for the CIA, and with the help of his boss Harry (Paul Sorvino), they’re trying to catch some terrorists. The problem is. Harry is playing both sides, and now it’s up to Tommy and Marcus (along with investigator Karen Lee) to try to take down the two-timing CIA boss.
Knock Off is absolutely bonkers, and in both a good and a bad way if you look at it critically. Tsui Hark was a crazy director in Hong Kong, and he imparts his very frenetic and quick-cut styling to this production. Knock Off is never boring, never slows down, and actually has some really cool fight scenes in it (that end fight with the shipping containers is actually really impressive). Well, except for the fact that Van Damme’s stunt double, Todd Senofonte, is even more obvious in this film than he was in Sudden Death. Which was sadly a problem in a lot of Van Damme’s later films.
Knock Off SHOULD have been better received than it was with the pedigree behind it, but sadly, the film dive bombed at the box office, and would be one of the last films of his to get a theatrical release before Van Damme was relegated to DTV shelves (Universal Soldier: The Return would be his final one). And all of that being said, I strangely can’t help but watch it every time it came on TV. The movie isn’t great, but the fight sequences are wild and fun, with a strange and goofy tone that is hard to describe if you’ve never experienced it.
Rated R for continuous violence and brief language
Video:
Video: 
Audio:

Extras:

• Interview with Moshe Diamant
• 2020 Interview with Steven E. de Souza
• Making Knock Off
• Theatrical Trailer
• Audio Commentary by Mike Leeder and Arne Venema
Final Score:
Knock Off may be objectively a bad film, but it’s a bad film that feels so Van Damme good if you get into the groove. It’s not for everyone, but the film has garnered a sort of a cult following among Van Damme fans over the years. And, along with Double Team, is one of the few Van Damme films that still needed a proper Blu-ray release (I’m not counting that insanely bad Mill Creek release of Double Team). The 4K UHD looks good, the sound is solid, and we actually get some decent extras on the disc. Again, this is NOT for everyone, but as someone who grew up looking forward to the double feature of Knock Off and Double Team on TNT action nights, it’s worth checking out.
Technical Specifications:
Starring: Jean-Claude Van Damme, Rob Schneider, Lela Rochon, Paul Sorvino, Glen Chen
Directed by: Tsui Hark
Written by: Steven E. de Souza
Aspect Ratio: 2.39:1 HEVC
Audio: English: DTS-HD MA 5.1, English LPCM 2.0
Subtitles: English SDH
Studio: MVD Visual
Rated: R
Runtime: 91 Minutes
Blu-ray Release Date: February 17th, 2026
Recommendation: Guilty Watch
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