Michael Scott
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While Jackie Chan was widely considered to be the king of martial arts comedy during the golden age of Hong Kong cinema, few of us will ever forget his biggest rival in that arena. That being one Stephen Chow. While Chow was a contemporary of Chan by about a decade, the young man grew up in the shadow of Bruce Lee and trained to become a martial artist like the heroes he grew up with (Chan, Sammo Hung, Bruce Lee, Yuen Biao, etc.). Unfortunately, he had a hard time breaking into the martial arts film world, essentially working as a children’s host for his first major gig, and trying his best to get into the market. However, 1990 rolled around, and he got his first big break in All for the Winner, a parody of Chow Yun Fat’s God of Gamblers from the year before. After that, the floodgates opened for the 28-year-old martial artist, and with his unique brand of slapstick comedy, he took the Hong Kong market by storm. Sadly, Stephen never got the critical acclaim or western market share like Jackie Chan, Jet Li, and others did, but he did get a taste of it in the early 2000s (right as the whole Kung-Fu craze was coming to a close) with films like Kung-Fu Hustle and Shaolin Soccer.
While Chow was never the powerhouse in the west as he deserved, I’ve been a rabid follower of his ever since I saw an old VHS copy of The Royal Tramp during the late 90s. And what better way to celebrate his legacy than one of his early films, completely remastered in 2K by Eureka Entertainment, in a 2000-copy limited edition release.
Picking up the mantle of a legendary character, Stephen Chow plays So Chan (or Beggar So in some translations), the infamous King of the Beggar clan. This time, we get to see his origin story as a lazy nobleman’s son, willing to cheat and doze his way through the challenges of becoming a scholar martial artist, only to get betrayed by a sleazy official of the emperor. Found out for his cheating ways, he and his father (Man-Tat Ng) are banished from the world of the elites and cursed to be beggars for the rest of their lives. Depressed and beaten down, So Chan and his father do their best to panhandle to find food, only to find nothing but derision from the rest of the people.
While not surprising, it bears mentioning that King of Beggars takes many of the same tropes and thematic elements of many other films that have starred So Chan over the years, but this one takes a much more unique twist on the character due to Chow’s legendary slapstick comedic style. While Jackie Chan used his stunts and facial expressions to pull out the comedy in a film, Chow always pushed the boundaries of the absurd. Laughing at himself and those around him into a sort of “one man three stooges” caricature. And here is no different. The first 45 minutes of the film feature Chow at his comedic best, making fun of court officials, beating up opponents with ease, and generally causing mischief and mayhem whenever he could. But it’s the 2nd half of the film that features a sharp tonal change that gets much more serious. While Chow still flexes his comedic muscles, the 2nd half is more of a deconstruction of the political climate of that time period, with a few jokes thrown in.
And let's not leave out the martial arts. While there’s a good bit of wire fu and classic period piece weapons fight, the 2nd half also deviates pretty heavily from the first half’s choreography as well. While So Chan is hamming it up as an arrogant prick and pulling his typical slapstick fights (including beating someone with a chewed-up pear), the 2nd half borrows heavily from Wu Xia wire fu, with an almost Tsui Hark style bent towards the supernatural wizardry. And while the tonal shifts (both in narrative tone and the fights) can seem glaring and sort of harsh, it somehow works out in the end.
Not Rated by the MPAA
Video:

Audio:

Extras:

• Kung Fu Scholar
• So Chan and Stephen Chow
• Original Theatrical Trailer
• Limited edition booklet featuring new writing on King of Beggars and director Gordon Chan by Andy Willis [2000 copies]
• Limited edition O-card slipcase featuring new artwork by Sam Gilbey [2000 copies]
Final Score:
King of Beggars isn’t one of Chow’s BEST films, but it’s a solid entry in his early life when he was just starting as the comedic powerhouse that he would become. The Blu-ray looks fantastic compared to the aging Hong Kong bootleg I had in my college days, and while the audio isn’t bad, the extras are pretty decent. Considering that this is only a limited edition of 2000 copies by Eureka, fans may want to move fast, as this will most likely be the last time it’s printed domestically, considering how low-key Stephen Chow is in the West. Recommended for classic Kung-Fu fans.
Technical Specifications:
Starring: Stephen Chow, Sharla Cheung, Norman Chiu, Man-Tat Ng, Chung Wang, King-Tan Yuen
Directed by: Gordon Chan
Written by: Kin Chung Chang, Gordon Chan
Aspect Ratio: 1.85:1 AVC
Audio: English: LPCM 2.0, Cantonese LPCM 2.0
Subtitles: English
Studio: Eureka Entertainment
Rated: NR
Runtime: 100 Minutes
Blu-ray Release Date: January 27th, 2026
Recommendation: Fun Watch
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