Michael Scott
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Car Wash
Movie:
Video:
Audio:
Extras:
Final Score:
Movie:

Video:

Audio:

Extras:

Final Score:

I make no bones about the fact that I’ve really been pleased with 90% of Shout Factory’s new Shout Select lineup. A subset of their films that tend to get a little more TLC, and gear themselves more classic and cult classic films rather than the obscure and forgotten. Car Wash is one of those films that everybody who grew up in the 70s (and even 80s) had watched a dozen times on cable TV, or worn out several VHS copies growing up. It wasn’t a giant hit back in the day, but evolved into a cult classic over time that has been almost immortalized. That’s not to say the same thing about the soundtrack though. Back in 1976 and 77 it won several Grammy’s as well as was played on every radio station in nation ad nauseam (to the point my father turned off the radio every time the theme song came on). I probably haven’t seen the movie since about the turn of the century, when I watched it with my girlfriend (now wife) back in high school, so I was seeing the movie for what felt like the first time. Nostalgic goggles gave it a rosier hue than I remember, but the fun of the era still survives, and now in the best looking and sounding it has ever been.
EVERYONE remembers or has heard of the influence of the 1970s on American culture. Tube tops, knee high socks, afros, disco music, the age of “free love”, and a style that is infused with hot oranges, nasty yellows and green, and a love of pastels that boggles the mind. It was also the age of comedies where raciness started taking over and with the help of action movies like Indiana Jones and the Temple of Doom marked the creation of the PG-13 rating. It was also the time of the Car Wash, an ensemble film that takes a day in the life of a singular car wash and all the people who frequent it. I won’t say that the movie is plotless, but the film takes a more leisurely approach to that part of the movie, giving us a “day in the life” of the people who work at ye old car wash.
Despite the cameos, Car Wash really thrives off of all the interactions of the people coming and going. Even though the nature of the film is goofy and loose, there is a hint of political and social underpinnings, with brief stabs at the issues of sexual promiscuity rampant in the era, as well as the still frustrating aspect of a black man living in a white man’s world as the civil rights era had just ended and people were adapting to the new interactions that occurred as a result. Then there’s the biting take at work in general, and the ethics of communism that was just starting to sweep the nation back in the 1970s (and is now come to fruition in today’s pollical climate).
With that being said, the film has also aged a bit too. The idea of an ensemble comedy cast that just meanders and wanders become extremely popular and culminated during the early 2000 era (and part of the 90s) to the point where it became a little over used, thus the original feels like we’ve seen it before as a result. The same thing can be said for the humor. Carlin makes up some REALLY funny bits, but there is so much 70s infused pop culture references and scenarios that living outside of that generation makes it a bit hard to connect with the jokes at times. It’s still a funny movie, but some of the cult status is not nearly as relevant today as it was 20 years ago when we were closer to 1976.
Rating:
Rated PG by the MPAA, Parental Guidance Suggested
Video:

Audio:

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Extras:

• "Workin' At The Car Wash" With Otis Day
• Audio Commentary With Director Michael Schultz
• Radio Spot
• Original Trailer
Final Score:

Car Wash is one of those films that is more nostalgic than relevant to today, both in humor and message, but it’s a fun nostalgic walk for those of us who love comedies from the 70s. The age has worn on it a bit, and the “life in the day of” ensemble films have been done to death, but this really was the original king of that genre. Shout Factory has done a good to great job on almost all the Shout Select lineups, and Car Wash is another good entry into the collector’s market. My first world problems nature till wishes some of the new Shout Select titles would come with fancy slipcovers, but the new extras are very nice, and the original artwork and newer one with reversible covers makes for good eye candy, and the technical specs are very VERY nice for a beat up old 70s comedy. Definitely worth checking out.
Technical Specifications:
Starring: Richard Pryor, Franklyn Ajaye, Darrow Igus
Directed by Michael Schultz
Written by: Joel Schumacher
Aspect Ratio: 1.85:1 AVC
Audio: English: DTS-HD MA Mono
Studio: Shout Factory
Rated: PG
Runtime: 97 Minutes
Blu-ray Release Date: June 6th, 2017
Recommendation: Nostalgic Watch