Michael Scott
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3 Generations
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The world is a changing for sure, and with those changes new stories come to the surface. With the LGBTQ world taking a more public stance on their issues, naturally more stories regarding them come to the surface as well. Some of them controversial, some of them simply just happen, but they still are taking a more prominent role in Hollywood. Something which has the potential for more unique stories and more unique takes on traditional roles. The problem is, most of these efforts come across as little more than propaganda pieces, or at least simply contrived and cliched to the extreme. There was a fantastic opportunity a few years back when Julianne Moore played the role of real life Laurel Hester, a woman fighting for the right for her legally espoused domestic partner (played by Ellen Page) to inherit her pension like most married couples would have. Again, the film had POTENTIAL, but came across as overly preachy by turning the opponents into evil mustache twirling caricatures to get it’s point across. The same can be said for this year’s 3 Generations, which does much the same with the whole transgender issue as Elle Fanning plays a young girl who is trying to change herself (as much as she can) into a boy.
3 Generations started out titled Three Generations, before moving on to About Ray (probably the most accurate title), before ending up with the title before us. Ironically I reviewed a much scummier film dealing with transgenderism in The Assignment, which had Michelle Rodriguez being altered against her/his will as a revenge plot, but 3 Generations takes a more dramatic and personal take on the issue. Ray (Elle Fanning) was originally born as Ramona to mother Maggie (Naomi Watts). However, Ray has what most people call gender dysphoria. A sense that the person is not the sex that they are born with. Ray has struggled for years under the illusion that she might get better, but now has settled on going completely over the line with hormone therapy and surgery to become a full-fledged “boy” if you will. Maggie is having a hard time dealing with the changes in her little “girl”, but is open to the idea, even if she’s not too keen on it. Grandmother Dolly (Susan Sarandon) and her partner Frances (Linda Emond) are a bit more “traditional” (as traditional as a lesbian grandmother can be), and really are frustrated at the turn of events.
Despite the frustrations, angers, and chaos that surrounds Ray, “he” is bound and determined to finish the gender reassignment and get on with his life. The only problem is that Maggie is not the only person that has to sign off on the 16-year old’s paperwork. Ray has to have his estranged father sign off as well, and that may turn out to be a whole different ball of wax that requires some serious effort to hurdle, as daddy dearest has been out of the picture for at least ten years. A turn of events that requires Maggie and Ray to track him down and force a confrontation.
The performances are the large portion of the positive aspects of 3 Generations. Elle Fanning does a solid job in her role, but like I said, the lack of identity issues is something that hinders it from being totally believable. On the other hand, Naomi Watts does a good job at portraying a conflicted mother. She wants to do the right thing for her daughter, but is having a hard time coming to grips with the changers that are happening, and the resulting turmoil is very palpable to the viewers. Susan Sarandon is abnormally tame for this type of role, and while she plays the opinionated old lady extremely well, her most poignant lines are when she’s calm and giving her daughter a little bit of motherly advice devoid of her usual brashness and bluster.
Rating:
Rated PG-13 for mature thematic content, some sexual references and language
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3 Generations DOES have potential, but ends up squandering it with overly cliched propaganda techniques that hamper any message that it may have originally had. There’s some strong performances, but those elements are in conflict with the pandering dialog and cliched scenes that don’t really stretch the concepts of transgenderism past basic talking points. It’s interesting to see this community take on my adventurous roles, but in the end the effort is just that. An effort without really catching hold of anything. The audio and video are fairly strong, but the extras nonexistent, and coupled with the underwhelming story makes for a rental at best.
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Technical Specifications:
Starring: Elle Fanning, Naomi Watts, Susan Sarandan
Directed by: Gaby Dellal
Written by: Nikole Beckwith, Gaby Dellal
Aspect Ratio: 1.85:1 AVC
Audio: English: DTS-HD MA 5.1
Studio: Lionsgate
Rated: PG-13
Runtime: 92 Minutes
Blu-ray Release Date: June 13th, 2017
Recommendation: Rental