Michael Scott
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The Boogeyman
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Final Score:
Movie:

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At this point and time Stephen King is synonymous with the word “horror”, and while he does have his missteps in cinema, I generally give films based upon his novels and short stories at least a chance. Couple that with the fact that Rob Savage was behind the director’s chair, and I became even more curious. Savage is one of those directors that isn’t going to shock and amaze you, but he’s done two previous horror entries in the form of Host (a haunted Zoom séance that goes horribly wrong) and Dashcam (which followed a rapping anti-vaxer’s trip into hell itself on a live stream) were both innovative and interesting takes on a dying genre (tech-horror). However, The Boogeyman follows a more tame and tried approach, with the classic monster jump scare type of film that is definitely aimed at being more mainstream (while he tries to make a PG-13 horror film scary as best he can). It’s not bad, but definitely follows some well worth horror principles that makes it easy to predict how the 99 minute film is going to turn out.
Starting out with a baby’s murder by an unknown being (yikes, going straight into the child violence taboo straight off the bat are we?), the film segues immediately to the Harper family who is reeling from the loss of their mother. Therapist Will Harper (Chris Messina) is trying to pick up the pieces of his wife’s passing and having to step into a role that he never was intended to fill, all the while trying to reconnect with his teenage daughter Sadie (Sophie Thatcher) and youngest Sawyer (Vivien Lyra Blair). Things aren’t going well as it is, but their life is made infinitely worse when tortured Lester Billings (David Dastmalchian) comes to the good doctor to talk about his problems with a mysterious being that supposedly killed his kids.
At first Doctor Harper isn’t inclined to believe the man, but his daughters soon start seeing the reflection of a monster hidden in the recesses of the dark house. Bit by bit the two girls start back tracking on where it came from and when it arrived in hopes of banishing it. But little by little they start to get sucked into a night mare land where their very lives are on the line.
The other way of looking at the film is straight from the “mind of Stephen King” as the extras likes to state. It can be seen as the boogeyman itself is simply fear and paranoia based upon grief. Was the monster real? Who knows. It simply may be a manifestation of the Harper’s grief over the mother’s death, and their triumph over the monster simply be an allegorical way of showing them triumphing over their pain and fear. Either way, the film itself is a solid little horror movie, but fails to really pave any new paths or ideas going forward. At the end of the day The Boogeyman is a moderately creepy jump scare monster movie that just works enough to be fun, but not enough to be a great film.
Rating:
Rated PG-13 for sequences of violence and action, language and smoking
Video:
Audio:
Extras:

• Outtakes
• Trailer
Final Score:

As I stated above, The Boogeyman is not going to blow your socks off, nor will it be innovative and boundary pushing like Rob Savage’s other horror projects. BUUUUUUUUUUT, it is also not a bad movie at all. While it isn’t nearly as great as the amazing Barbarian (which doesn’t have a physical release yet, grrrrrr) the film serves as a very solid popcorn jump scare monster movie with some really enjoyable scenes. Sadly the film is not getting a 4K UHD release (Blu-ray only), so I was pleasantly surprised at the 4K digital stream so as to get the boosted resolution and Atmos audio. Recommended for a fun popcorn watch.
Technical Specifications:
Starring: Sophie Thatcher, Chris Messina, Vivien Lyra Blair
Directed by: Rob Savage
Written by: Scott Beck, Bryan Woods, Mark Heyman
Aspect Ratio: 2.39:1
Audio: English: Dolby Atmos
Subtitles: English
Studio: Disney/Buena Vista
Rated: PG-13
Runtime: 99 Minutes
Digital Release Date: August 29th, 2023
Recommendation: Fun Popcorn Watch
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