Michael Scott
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Excalibur is one of those movies that I love to hate, and hate to love. The film borders on stagey campiness, with over acting, melodrama dripping from every lip, and an early 1980s aesthetic that hovers on the verge of low budget Sword & the Sorcerer levels. But at the same time, it’s a star studded cast with great actors, some solid performances, and a nice twist on the classic tale of King Arthur. But at the end of the day, Excalibur is a wonderful mess of a film that leaves most audience members in a state of limbo as they decide whether they love the film, or hate it.
Drawn from the Sir Thomas Malory’s famous “Le Morte d’Arthuer” and some of the old poems from the day, Excalibur takes a look at the King of The Britons from a rear loaded perspective. Glossing over the early days of Uther Pendragon (Gabriel Byrne) and Arthur’s birth, we watch our young heir apparent rise up from a squire, to pulling the sword from the stone, and subsequently falling in lust with Guenevere (Cherie Lunghi) in a similar fashion as his father. And much like his father, his son and lusts would be his undoing.
But, soon enough, Arthur’s love and home are under attack from forces both seen and unseen. We naturally get the classic tale of Guenevere’s dual love for both Arthur and Sir Lancelot, and it unfolds in roughly the same way as the story. Then there’s Arthur’s half sister Morganna (Helen Mirren), who imprisons Merlin and begins a reign of terror upon his domain. The Knights of the Round Table begin to fall along the way in search for the holy grail, and Arthur himself must mount up one more time to face off against a rogue upstart named Mordred. And in true Arthurian legend, things don’t turn out so hot for anyone.
And while there are some things to criticize about the film (I preferred 1995’s First Knight a good bit more), the cast is incredible, ranging from Gabriel Byrne, Liam Neeson as Gawain, Sir Patrick Stewart, a young (and smoking hot) Helen Mirren, to Nicol Williamson (who would also play as the spiritual “mentor” in Spawn). And to be fair, all of those were prolific stage actors at the time, solidifying my opinion that Excalibur is part stage play, part Hollywood movie, and just struggles trying to find a homeostasis on screen.
Rating:
Rated R by the MPAA
4K Video:
Video: Excalibur has long been a problematic film on Blu-ray due to the limitations of the master taken at the 2011 time period, as well. John Boorman’s film is heavily graded, with blue and green tones, but also just slathered in heavy mists and dim lighting. This can cause havoc with grain structure, and Warner’s old habit of processing catalog titles made it more obvious. This time Arrow has done a spectacular job with all of the restoration process, creating an image that handles the grain amazingly well, while still keeping all of the fog, all of the dim lighting, and all of the dingy castle scenes as authentic as possible. Greens and blues tend to be the most prominent colors in the film, while light splashes of brown and Lancelot’s glowing white steel armor stand out. There’s a few lens flare moments that kind of irritate me (lens flares are sort of my PTSD thing after the J.J. Abrams years), but overall this is a clean looking image that really sparkles in 4K. Black levels are great all around, and the only negative aspect that I can lay on the image is that I see some grain spikes in some of the really dark and grungy sequences. They don’t last a whole lot, but they are definitely prevalent.
Audio:

Extras:

• 4K presentation of the 141-minute Theatrical Cut
• Restored original lossless mono and DTS-HD MA 5.1 audio options
• Brand new audio commentary by Brian Hoyle, author of The Cinema of John Boorman
• Brand new audio commentary by filmmaker David Kittredge, director of Boorman and the Devil
• Archive audio commentary by director John Boorman
Disc Two: Blu-ray
• The Making of Excalibur: Myth into Movie, a never before released 48-minute documentary directed by Neil Jordan during the production of Excalibur
• To Be a Knight and Follow a King, a newly filmed interview with director John Boorman and actor Charley Boorman
• When Death Was but a Dream, a newly filmed interview with creative associate Neil Jordan
• The Charm of Making, a newly filmed interview with production designer Anthony Pratt
• Confessions of a Professional "Pain-in-the-", a newly filmed interview with 2nd unit director Peter MacDonald
• Anam Cara, a new featurette on the working friendship of John Boorman and co-writer Rospo Pallenberg featuring a newly filmed interview with Pallenberg
• Divided Nature, a brand new featurette by film historians Howard S. Berger and Kevin Marr
• Trailers
• Image galleries
Disc Three: (Limited Edition Blu-ray and 4K Special Feature Disc)
• High-definition presentation of the 120-minute TV Version of the film, previously unavailable on home video
• Original lossless mono audio
• Excalibur: Behind the Movie, a 50-minute retrospective documentary in which cast and crew look back on the making of the film
Final Score:
I hadn’t seen Excalibur in so long that it was almost a shock to the system when part way through I realized “wait a minute. Sean Connery isn’t going to play old man Arthur” and I suddenly separated Excalibur and The First Knight from my mental cobwebby brain. It’s a tad goofy in today’s world, and really feels like it would fit better as a live Broadway play rather than a movie. But still, it is iconic in 80s filmography for a reason, with good performances, strange visuals, and they somehow made bank off of a comparatively thin budget even back then. Arrow’s 4K UHD limited edition release (as well as the limited edition Blu-ray release) are STUNNING in terms of special features and the restoration done on the original film. Fans will be highly pleased as this one is stuffed to the gills with features, including the never before seen TV version that sort of softens some of the R-rated content. All in all, it’s a great package that fans will be ecstatic to get ahold of. Especially after having to make do with Warner’s mediocre Blu-ray release from years and years ago.
Technical Specifications:
Starring: Nigel Terry Helen Mirren, Nicholas Clay, Cherie Lunghi
Directed By: John Boorman
Written By: Thomas Malory, Rospo Pallenberg, John Boorman
Aspect Ratio: 1.67:1 HEVC
Audio: English: DTS-HD MA 5.1, English DTS-HD MA Mono
Subtitles: English SDH
Studio: Arrow
Rated: R
Runtime: 141 Minutes
Blu-ray Release Date: February 24th, 2026
Recommendation: Recommended






