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- Preamp, Processor or Receiver
- StormAudio ISP.24 MK2
- Main Amp
- Emotiva XPA-5
- Additional Amp
- Emotiva XPA Gen3 2.8 multichannel amp
- Other Amp
- Denon X8500H
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- AudioEngine A2+
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- THX ONYX
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- Kaleidescape TERRA, OPPO UDP-203, Panasonic UB9000
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- GoldenEar Technology Triton One.R
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- GoldenEar Technology SuperCenter Reference
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- SVS Ultra Surround
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- SVS Prime Elevation x4 (Top Front, Top Mid-Front)
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- SVS Prime Elevation x4 (Top Middle, Top Rear)
- Subwoofers
- dual SVS SB16s + dual PSA XS30s
- Other Speakers or Equipment
- Behringer 1124p; Aura Bass Shaker Pros; SuperSub X
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- JVC NX7
- Screen
- Seymour Screen Excellence, Enlightor NEO AT Screen
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- iFi Audio Zen Blue
- Streaming Subscriptions
- Qobuz, TIDAL, Spotify, ROON
- Other Equipment
- LG Electronics 65-inch B6 OLED, Sony 65-inch X900F, ZeroSurge 8R15W x 2, ZeroSurge 2R15W x 2
As the 4K Dolby Atmos Version of Edge of No Tomorrow hits the streets on July 5, a lot of enthusiasts are bracing themselves for a bit of a let down on the low-end side of the audio equation.
I did a quick comparison of the original BD release and the K-scape 4K version, and found that the infamous opening bass notes have been altered (read: changed for the betterment of systems across this great land ouf ours!).
If you can see a visualization of the two versions, here:
As you can, the super deep infrasonics have largely been scratched. That said, the Atmos track is rock solid!
I did a quick comparison of the original BD release and the K-scape 4K version, and found that the infamous opening bass notes have been altered (read: changed for the betterment of systems across this great land ouf ours!).
If you can see a visualization of the two versions, here:
As you can, the super deep infrasonics have largely been scratched. That said, the Atmos track is rock solid!