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Mary and the Witch's Flower
Movie:
Video:
Audio:
Extras:
Final Score:
Movie:
Video:
Audio:
Extras:
Final Score:
If you noticed the “A Studio Ponoc Film” banner across the top of Mary and the Witch’s Flower and wondered why it looks SOOOO similar to a Studio Ghibli film, then you’re not the only one. Mary and the Witch’s Flower is the debut film of brand new Studio Ponoc, a studio created by Studio Ghibli producer Yoshiaka Nishimura, after the demise of Studio Ghibli. For those not in the know, Studio Ghibli has decided to stop making new films from here on and out after Miyazaki left, and co-founder of the studio, Isao Takahata died recently. This left a gaping whole in the animated industry, so, Nishimura decided to create his own studio, and continue on the legacy that Studio Ghibli was known for. For their first feature film, they used Studio Ghibli regular, Hiromasa Yonebayashi (known for When Marnie was there and The Secret World of Arietty) and craft a delightful little fantasy film that doesn’t reach the heights of Miyazaki’s works, or even Yonebayashi’s Arietty, but still manages to be a fun ride for the fledgling studio.
Mary Smith (Hana Sugisaki) is a young girl with unruly red hair and a bit of a loner on her great aunt Charlotte’s (Shinobu Otake) estate. She has no real friends to speak of, and her ability to help around the garden is fairly limited by her clumsy nature. Nothing ever that good happens in her life, and the poor girl just desperately wants to be useful and good at something. Her life takes a drastic turn when a pair of stray cats named Tib and Gib come in through her window and lead her into the forest where Mary finds a beautiful blue flower growing. These flowers are known as Fly by Nights (or witch’s flowers) and only bloom once every 7 years. Plucking a stem of flowers, Mary starts to meander back when she runs across an old broom stuck up against a viny old tree. When she touches the broom, a catalyst reaction between the flowers and Mary and the now flying broom whisks the redheaded child up into the clouds and to the magical school of Endor.
Thematically Mary and the Witch’s Flower is a very simple film. It’s a movie about a young girl who lives with her own personal negativity. A negativity that destroys everything around her and leads to nothing good. When she is whisked away to the magical world of Endor, she is given an ego boost, and the wining and dining of the staff makes her feel more important than she has any right to be. However, this false pride is soon to fall back to earth, and Mary has to find out that the only magic that she has available, is the one she makes for herself. A fact that causes her to come face to face with her own self doubt and grow into a powerful young woman who relies on her OWN confidence, rather than the false confidence of a magical power that she stumbles upon. Basically it’s a plea to take hold of your own destiny, and embrace your own personal strengths and weaknesses, not just reject them and mope around.
The film is quite good, but doesn’t measure up to some of the truly epic films that Studio Ponoc’s predecessor was famous for. However, Mary may not be the BEST of the film’s in the genre, but it is far from the worst either. The movie is simple, sweet and full of a wonderful joy that just brims from within. The animation is stunning beyond belief, and the work of Hiromasa Yonebayashi brings a sense of confidence and familiarity to the fledgling studio’s first feature film.
Rating:
Rated PG by the MPAA
Video:
Audio:
Extras:
• A Special Conversation: Sekai No Owari, Hiromasa Yonebayashi, and Yoshiaki Nishimura
• Film Completion Press Conference
• Theatrical Promotional Movie
• Interview with the Filmmakers
• Trailers
• TV Spots
Final Score:
As I said above, Mary and the Witch’s Flower can’t match some of the true greats of the old Studio Ghibli lineup, but it is a fun film that really is a great start for Studio Ponoc. It’s visually stunning, filled with some great action, and an uplifting story that really does warm the heart quite nicely. The film’s adventures are palpable, and the high flying magical battles are sure to put a smile on your face. Universal’s Blu-ray is nothing short of jaw dropping, with perfect video and audio, and even a decent array of extras as well. I’m a huge fan of Studio Ghibli, and with their inevitable demise, Studio Ponoc looks like it’s poised to take over when it’s mentor ended. Which hopefully should give us many more years of classic films. Highly recommended.
Technical Specifications:
Starring: Yuki Amami, Hana Sugisaki, Ryunosuke Kamiki
Directed by: Hiromasa Yonebayashi
Written by: Mary Stewart (book), Riko Sakaguchi (screenplay)
Aspect Ratio: 1.85:1 AVC
Audio: English: DTS-HD MA 5.1, Japanese DTS-HD MA 5.1
Subtitles: English SDH, English, French
Studio: Universal
Rated: PG
Runtime: 103 minutes
Blu-Ray Release Date: May 1st, 2018
Recommendation: Highly Recommended
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